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The Virgin Spring and Nykvist's First Bergman26 jan 2023
The film is a fourteenth-century Swedish legend of rape, murder, and miraculous vengeance. The teenage daughter of a wealthy farmer is raped and murdered in a forest by three goatherds. The goatherds, not knowing she is his daughter, later take shelter at the farmer's house. The farmer realises who they are and kills them. At the site of the daughter's body, a spring of water bursts from the ground. Nykvist's photography for Bergman in this film is distinct from what Fischer had been doing. Fischer's Bergman is engraved, high-contrast, heavy on filtered skies. Nykvist's Bergman is softer. He favours diffused sources, lighter shadows, middle grey tones. The Virgin Spring is lit mostly by available daylight in the forest sequences and by fire and single-source interior lamps in the farmhouse sequences. The rape and murder in the forest are photographed in flat, bright midday light, which makes them harder to watch than the low-key treatment the subject would have invited. Bergman would later say he considered the film a failure, too literal, too dependent on a single emotional beat. He made Through a Glass Darkly (1961) in response, a more abstract treatment of similar material. Both films share Nykvist's new visual register, which would define Bergman's mature period.
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