silver nitrate notesa personal log of classic black and white cinema | |||||||||||||||
navigationcurrently watchingThe Passion of Joan of Arc (1928, Dreyer). second viewing this month, on the Norwegian-print restoration. recent updates
14 apr · published Toland piece visitors072,645 mailing listnew posts by email. two to four a year. |
Steamboat Bill Jr and the House Falls30 apr 2011
The stunt is the falling-facade gag. Keaton stands in front of a Mississippi riverboat-town house during a cyclone. The entire facade of the house, weighing two tonnes, falls forward toward him. He is saved because an open upstairs window passes over him as the facade lands. The clearance, top and bottom, is approximately two inches on either side of Keaton's body. One wrong measurement would have killed him. Keaton insisted on shooting the gag in one take. The facade was real. The window was cut to match Keaton's exact position. His crew, by multiple contemporary accounts, refused to operate the camera. Some of them left the set during shooting. Keaton asked for volunteers and got a minimal crew. The shot, on screen, lasts about two seconds. Keaton does not react. He stands still. The facade falls. The window passes over him. He walks on. The cyclone sequence around the stunt is equally technical. Keaton and his crew built a large-scale town set that could be disassembled by high-powered industrial fans and mechanical rigs. Buildings collapse on cue. Roofs tear off. Keaton is thrown by the wind across a dozen setups, most of them genuinely blown by the fans. The sequence represents a level of production commitment to a gag that no studio comedy of the period would have matched.
[ « prev: Sunrise · next: Brief Encounter » ] » leave a comment in the guestbook sources | ||||||||||||||
| © 2008-2026 silver nitrate notes by Hal Vesper · home · archive · about · guestbook | |||||||||||||||